Can I Tell You...about Aya Abesamis.

Aya with her Aya frame clutch at Rockefeller Center.

Can I Tell You…about Aya Abesamis. We started following each other on Instagram last year but we recently finally met in person. I knew of Aya because her parents were fashion models and contemporaries of my sisters back in the Philippines in the 1980s. Her mother Desiree Verdadero was the 3rd runner up for Miss Universe back in 1984. Following in her mother’s footsteps, Aya joined the pageant scene and in 2019 was crowned the title of Binibing Pilipinas Grand International.

She’s been living in New York for almost two years and is represented by the legendary agency Ford Models. Aside from modeling, she also runs her own clothing brand AAYA, freelances for shoe designer Warren Edwards and paints in her free time.

The Aya Frame Clutch was inspired by Aya’s femininity, effervescence and self confidence. It features a covered frame closure with the clasps on the inside so the hardware is hidden from plain site and comes in an array of handworked sequins that will dazzle in the night.

Read our Q & A :

1. What is your idea of happiness?
Happiness is a feeling of enjoyment , positivity and a balance of well being.

2. What is your greatest extravagance?
My greatest extravagance would be fashion and the arts. I just love the creativity and inspiration that fashion and art can give you.

3. What is your current state of mind?
To always believe in myself, and have faith in my abilities. “You can achieve anything you put your mind and hard work to.”

4. Whose style do you most admire?
It’s a mix of role models; the Olsen Twins, Zendaya and Kendall Jenner.

Aya Abesamis wearing the Aya frame clutch during New York Fashion Week.

5. What do you consider your greatest achievement?
I feel like I have a lot more to achieve in my life. But so far, I feel like I’m living my dream; to be doing the things I love like modeling, fashion, arts, and a lot more in the city of dreams a.k.a New York City.

6. What is your most treasured possession?
Probably the most treasured possession is a special analog watch that my mother handed down to me which was a gift from my dad. It’s definitely a special keepsake.

7. Who is your favorite writer? Ryan Holiday, Yung Pueblo and Rupi Kaur

8. Which living person do you most admire? My parents.

9. Where is your dream destination?
My dream destinations would be Iceland, Morocco, Switzerland and the anywhere in the Mediterranean.

10. What is your motto?
“Love the humble art”. - Marcus Aurelius. It’s appreciating the little things. The goal in life is to love what you do and to love your craft.

Aya wearing the Aya frame clutch.

Can I Tell You...about my Fall / Winter 2023 Collection.

Madeleine gold diamante’ clutch.

Rafé New York Takes Us To A Dazzling Reimagining Of Studio 54

By Chelsea Sarabia for Vogue Philippines

Rafe Totengco on his Fall / Winter 2023 Campaign and the sweet homecoming of Filipino creatives that went on behind the scenes.

In setting out to design any collection, Rafe Totengco prefers to work off a feeling.

With his brand Rafé New York, the designer has carved out a niche in the clutches and evening bags sect of fashion. He attributes its global acclaim to one sentiment: anyone can carry a Rafé bag. Over an illustrious two-decade-long career, he notes a sizeable shift in the landscape that mirrors this attitude, with trends that transcend any one type of person—so long as it fits their tastes.

Lila Top Handle in ruby satin embellished with rhinestones.

“With social media, we’ve become a very small world. Everyone sees everything instantaneously, and they also see what other people are wearing,” he says. “Ultimately, that’s also what I love about handbags: it’s a very democratic piece of fashion. You can be young, you can be old. It’s not size-specific, it’s not age-specific.” 

Aya Zebra sequined clutch.

For his Fall/Winter 2023 collection, Totengco doesn’t design with a particular muse in mind but a mood; he paints a picture of a radiant hour in a bar in Bushwick, tapping into the sparkling glamour and the freeing sense of style of eras past. 

The designer expands, “I’m hoping that with one of these bags from the next season, [wearers] get a sense of confidence, independence, and strength, and a kind of boldness [that says] ‘I want to stand out from the crowd. I don’t want to be like everybody else. I’m going to walk in and turn heads. Yes, I’m going to own the space.’”

Raya embellished with pearls.

Inspired by Studio 54 and Helmut Newton’s photographs of the Yves Saint Laurent Le Smoking suit, Totengco wanted to shoot in a location that captured the vibrancy of New York City at night. It seemed nearly impossible to find within the city’s cluster of crowded streets and the time demanded of shooting a full-blown campaign; that was, until his team found the perfect spot: a Brooklyn bar with the makings of what could have been a stylish speakeasy from the 1920s. 

Aya platinum sequined clutch.

“The bar provided us with so many vignettes that I was super happy with because it kind of gave you the feeling that ‘She’s inside…somewhere,’” he muses. “You don’t necessarily see her friends, but it doesn’t matter. It’s almost like she’s there [just arriving]. There’s this anticipation of, like, ‘Something fun is about to happen.’ And you can just imagine the rest.” 

Styled in Marcel waves and ‘70s-reminiscent jumpsuits, Rafé’s femme fatale lounges over black leather booths, carrying an array of evening bags in malleable rhinestone mesh and sequins that spill over her fingertips.

Sarita diamante’ flap clutch in magenta.

“We have [them in] magenta, gold, and silver—you know, classic rhinestone colors, [and they’re] all individually done by hand in India,” he says of the collection. “They’re fun evening bags, party bags. When you see them, they evoke that sense of frivolity and ‘Ooh, look at this sparkly thing!’ I always believe a little sparkle never hurt anybody.”

For his campaign, Totengco worked with New York City-based Filipino creatives whom he shares he met through serendipitous encounters. In New York City, it seems, most Filipinos are distanced by only “two degrees of separation.”

Rafe behind the scenes.

He met photographer Selwyn Tungol after he had taken a picture of one of his bags during a Fashion Week years ago and the multi-disciplinary creative Lorenz Namalata at the recent opening of the Silverlens Galleries in Manhattan. Following what the designer calls a “trail of connectivity,” he finds that the bar Namalata scouted for him was Filipino co-owned, too. 

Behind the scenes from the shoot, Rafe taking videos.

“It was just funny. We had a whole crew of other people who were assisting who all came from Manila, all based here now, and it just became this thing. All of a sudden, we were talking in Tagalog in Sleepwalk, a bar in Bushwick, and we were like, oh my God, wait, where are we? What are we doing?” he laughs. “It’s also, in a way, representative of New York now. It really is a melting pot, and I love that—that a new generation of creatives is coming up.”

For Totengco, a predominantly Filipino crew was a refreshing departure from where he first started in the industry. He says, “It was kind of this moment of solidarity where it was like, ‘Well, I didn’t have this before.’ Without even realizing it, it’s happening, and, really, it’s a nice feeling. You feel at home. You feel like you’re a part of something.”

Rafe Totengco and the photo crew at Sleepwalk in Bushwick, Brooklyn.